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Walburn Fine Volume

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Italic

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Light

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Regular

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Strong Volume

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Text

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Text Italic

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Text Light

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Text Light Italic

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Tooled

Download Walburn Tooled Font. Walburn Tooled font available in TrueType and OpenType for Windows and Mac.

Walburn Tooled Caps

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Ultra

Walburn was originally developed as a headline face for The Globe and Mail (Canada's National Newspaper). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of optically scaled fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.

Walburn Volume

Walburn was originally developed as a headline face for The Globe and Mail (“Canada’s National Newspaper“). It has narrow serifs and sidebearings, for a tight fit; and a finely-detailed, stylized finish to add visual interest. The faux finish of this condensed Walbaum revival discreetly apes the look of letterpress. It is an effect that can be controlled, with a variety of “optically scaled“ fonts. The Fine styles have finer details, narrower serifs, and a tighter fit, for use at very large sizes.